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Home Politics Women’s March on DC

Women’s March on DC

womens-marchBy Kate Kight

Washington D.C. (The Hollywood Times) 1/21/17 – After one of the most divisive elections in our nation’s  history it is no shock that Trump’s inauguration was a day of confusion, misinformation, and uncalled-for violence.

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Yes on Saturday morning,  Washington, D.C. dawned gloomy but unseasonably warm, to thousands upon thousands of pink pussy hats making their way towards the National Mall.

The Women’s march on Washington grew out of a passion and frustration in the aftermath of a contentious election. It lacked formal leadership, organization, and defining principles. When a platform began to tentatively grow, it’s lack of diversity was an instant flashpoint. In the days leading up t the march, pro-life groups quietly infiltrated the ranks of allied groups, threatening a carefully curated, progressive platform.

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11-million-women-march-w710-h473None of these issues were apparent on Saturday morning. The only problem was a sheer force of numbers. Before anyone could open the program, the march route was filled with pussy hats. The jumbo-trons were visible by a scant few participants. The activists, actresses, and singers performed for portions of the crowd as it slowly wended around the march route and the many overflow routes police had to quickly open throughout the morning.

Gays against Guns, with marchers clad in white veils and images to the slain pulse victims, sang mournful and cheeky tunes about the 45th president of the united states. Marchers with no hope of seeing the official program joined in, carrying signs of warning of the imminent danger of climate change, the injustice of DAPL, the many, and the varied transgressions of  Donald Trump. Different chants broke out, “Can’t build a wall, hands to small” and “We want a leader, not a creepy tweeter”, and “Black lives matter!”. There was no one clear message, no one action or comment that the crowd focused on, it was a patchwork every issue that was on the line in 2016.

million-women-march-trump-inaugurationAnd yet this march was unified, a clear censure of Donald Trump and the racism, sexism, and xenophobia his campaign and election fomented. The varied issues women were marching for did not pull apart the march, as detractors had warned, but brought together women (and quite a few men) who believed that fighting for all of these issues, not compromising, was the only way forward.

It was disorganized, overcrowded, a display of grassroots action that reverberates around the world.

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image613687xIn other words, it was the exact event, on his first full day in office, to truly get under the 45th president’s skin.

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Valerie Milano is the well-connected Senior Editor and TV Critic at TheHollywoodTimes.today, a website that aggregates showbiz news curated for, and written by, insiders of the entertainment industry. (@HwoodTimes @TheHollywood.Times) Milano, whose extraordinary talents for networking in the famously tight-clad enclave of Hollywood have placed her at the center of the industry’s top red carpets and events since 1984, heads daily operations of a uniquely accessible, yet carefully targeted publication. For years, Milano sat on the board as a chief organizer of the Television Critics Association’s press tours, held twice a year in Beverly Hills and Pasadena. She has written for Communications Daily, Discover Hollywood, Hollywood Today, Television International, and Video Age International, and contributed to countless other magazines and digests. Valerie works closely with the Human Rights Campaign as a distinguished Fed Club Council Member. She also works with GLSEN, GLAAD, Outfest, NCLR, LAMBDA Legal, and the Desert Aids Project, in addition to donating both time and finances to high-profile nonprofits. She has been an active member of the Los Angeles Press Club for a couple of years and looks forward to the possibility of contributing to the future success of its endeavors. Milano’s passion for meeting people extends from Los Feliz to her favorite getaway, Palm Springs. There, she is a member of the Palm Springs Museum of Art and a prominent Old Las Palmas-area patron.