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Home #Hwoodtimes The Innocents Premieres on Netflix

The Innocents Premieres on Netflix

By Valerie Milano

Beverly Hills, CA (The Hollywood Times) 8/24/18 – “The Innocents,” Netflix’s ambitious shapeshifter romance, premiered last night.  And it was everything it promised.  At a Television Critics Association Press Tour Event, a panel of cast and crew sat down with TCA members.  Comedian, actress, and writer Nicole Byer; Percelle Ascott (“Harry”); Sorcha Groundsell (“June”); Guy Pearce (“Halvorson”); Simon Duric (co-creator, writer/EP), and Hania Elkington (co-creator, writer/EP), were all in attendance.

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The series launches, in short, with a young, lovestruck girl, June (Groundsell) running away with her boyfriend, Harry (Ascott), on the very cusp of her 16th birthday, and just before her controlling father can move her to Scotland.

In the very process, June discovers she can shapeshift, through skin-to-skin contact.  Set against the dramatic backdrop of Yorkshire, London, and Norway, shot in a soft lensed fog that lends itself to a catatonic state, and ever-aware of the importance of character development, The Innocents is a razor sharp exploration of young love and the powerful forces it unleashes.

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“I think Simon and I always wanted to feel that if we took the supernatural element out of the series, that it would still be a true and gripping drama about just young people in love,” said Elkington. “And I think with June being the character who transforms, we also wanted to look at what it means to love someone unconditionally and how people, by the nature of growing, just change in relationships. And can you deal with that change? Should you accept that change? What does it mean to you?

And I think we used shapeshifting within that young relationship to really extrapolate that quite dramatically. And so hopefully the questions that it raises, although they are hugely magnified, are still relevant to young people in love and people at sort of all ages really because it is a coming-of-age story and a story of transformation.”

Episode one takes introduces viewers to essential characters June and Harry; their plight in desperate love—the hand-holding, letter-writing variety—and essentially brings them up to the point that they understand the terrifying potential of their own power.

Sorcha Groundsell

The cast is entirely aware of the beauty, the grace with which the series approaches each encounter, each confrontation, each new issue.  Not a single character or storyline is remotely undeveloped.

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That it’s an eminently watchable series is a given.  It would be easy to follow through and binge on the entire series in the first viewing.  It’s the power of change, and the human ability to adapt to that change—in spite of our initial pull away from it—that makes the series so compelling.

“On a concept level we talked about how people always change,” Duric told TCA.  “I mean even me now at 39 years old, I’m gonna carry on changing for the rest of my life. So it was felt like I’m not gonna turn into a woman obviously, I don’t think, at the moment. But we all change emotionally, our relationships change.”

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Sorcha Groundsell, Percelle Ascott and Guy Pearce of ‘The Innocents’ speak onstage during Netflix TCA 2018 at The Beverly Hilton Hotel on July 29, 2018 in Beverly Hills, California.
(July 28, 2018 – Source: Matt Winkelmeyer/Getty Images North America)

The cast agrees.  “How do you love someone through whatever it is they’re going through?” said Ascott, whose portrayal of Harry is at turns sensitive and harrowed.  “And that’s just something that we’ve used to drive that relationship and keep it grounded.”

All eight episodes of The Innocents: Season 1 is now streaming on Netflix.

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Valerie Milano is the well-connected Senior Editor and Entertainment Critic at TheHollywoodTimes.today, a website that aggregates showbiz news curated for, and written by, insiders of the entertainment industry. (@HwoodTimes @TheHollywood.Times) Milano, whose extraordinary talents for networking in the famously tight-clad enclave of Hollywood have placed her at the center of the industry’s top red carpets and events since 1984, heads daily operations of a uniquely accessible, yet carefully targeted publication. For years, Milano sat on the board and tour coordinator of the Television Critics Association’s press tours. She has written for Communications Daily, Discover Hollywood, Hollywood Today, Television International, and Video Age International, and contributed to countless other magazines and digests. Valerie works closely with the Human Rights Campaign as a distinguished Fed Club Council Member. She also works with GLSEN, GLAAD, Outfest, NCLR, LAMBDA Legal, and DAP Health, in addition to donating both time and finances to high-profile nonprofits. She has been a member of the Los Angeles Press Club for a couple of years and looks forward to the possibility of contributing to the future success of its endeavors. Milano’s passion for meeting people extends from Los Feliz to her favorite getaway, Palm Springs. There, she is a member of the Palm Springs Museum of Art and a prominent Old Las Palmas-area patron.