Home #Hwoodtimes Singin’ on the Seine: AN AMERICAN IN PARIS To Play in US Theaters on September 20th...

Singin’ on the Seine: AN AMERICAN IN PARIS To Play in US Theaters on September 20th and 23rd

–by Dr.Laura Wilhelm, LauraWil Intercultural

“Truly ravishing!”–The Guardian on AN AMERICAN IN PARIS (2018)


Los Angeles, CA (The Hollywood Times) 6/28/18 – AN AMERICAN IN PARIS, the breathtaking Tony Award-winning Broadway musical inspired by the 1951 Oscar-winning MGM film, tells the impassioned story of discovering love in the City of Light during the aftermath of World War II.  Jerry is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility.  Following Jerry’s encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop for a daringly sensuous, modern mix of art, friendship, and romance.

Featuring George and Ira Gershwin’s gorgeous music and lyrics (including classic hits such as “‘S Wonderful” and “I Got Rhythm”), stunning designs, and show-stopping choreography, AN AMERICAN IN PARIS is coming to a US cinema near YOU on Thursday, September 20th and Sunday, September 23rd, 2018!


AN AMERICAN IN PARIS is directed by Christopher Wheeldon, produced by Stuart Oken, and written by Craig Lucas.  It features original Broadway stars Robert Fairchild and Leanne Cope as Jerry and Lise.

As legend has it, George Gershwin’s “An American in Paris” suite was the sole impetus for doing this movie.

The show was taped live during its London production last year and screened in theaters across the globe on Wednesday, May 16th, 2018.  The stage show of AN AMERICAN IN PARIS first premiered in Paris in 2014.

Watch this space for this reporter’s forthcoming review of the 2018 tape, and please follow this link for locations and showtimes:


Hollywood History of AN AMERICAN IN PARIS:

The all-new cross-cultural version of AN AMERICAN IN PARIS described above continues a distinguished line of development beginning with George and Ira Gershwin’s 1928 orchestral composition of the same name.  The Gershwins’ music was showcased in the 1951 MGM film AN AMERICAN IN PARIS starring Leslie Caron and the incomparable Gene Kelly, who actually spoke French and won an honorary award for this role at the 1952 Oscars.  Saul Chaplin was the music director.


This landmark musical film was directed by Vincente Minnelli, father of Broadway legend Liza Minnelli by Judy Garland, with a script by Alan Jay Lerner.  The climax of the film is “The American in Paris” ballet, a 17-minute dance featuring Kelly and Caron that references several famous French painters including Dufy, Renoir, Rousseau, Toulouse-Lautrec, and Utrillo.  The avant-garde ballet sequence took four weeks to shoot and cost almost half a million dollars to complete.

AN AMERICAN IN PARIS received eight Academy Award nominations and won six for Best Picture; Best Art-Set Decoration, Color; Cinematography, Color; Costume Design, Color; Best Music, Scoring of a Musical Picture; and Best Writing, Story and Screenplay.  It also won a Golden Globe Award for Best Motion Picture-Musical or Comedy with nominations for Minnelli as Best Director-Motion Picture and Kelly as Best Actor-Motion Picture, Musical or Comedy.


In 1993, AN AMERICAN IN PARIS was selected for preservation by the United States Library of Congress  in the National Film Registry for being “culturally, historically, or aesthetically significant.”  It is ranked #9 among the American Film Institute’s Greatest Movie Musicals.

For people all over the world still grieving the ghastly losses of World War II, AN AMERICAN IN PARIS represented a triumph of sorts that hardly seemed trivial.  Banned in some countries such as French Indochina for its depiction of “amoral” Franco-American relations, the sprightly film held out hope for the re-establishment of peace and even love as the United Nations of World War II solidified into the United Nations organization based in New York City that we all know today.  So was this musical escapist–or anticipatory?

Artistically, AN AMERICAN IN PARIS ushered in two decades of truly amazing movie musicals such as Gene Kelly’s masterpiece SINGIN’ IN THE RAIN (1952), A STAR IS BORN(1954), GUYS AND DOLLS (1955), FUNNY FACE (1957), and THE MUSIC MAN (1962), not to mention Best Picture winners WEST SIDE STORY (1961), MY FAIR LADY (1964), and THE SOUND OF MUSIC (1965).

The epilogue of Damien Chazelle’s award-winning 2016 film LA LA LAND evokes the set designs and costumes from Vincente Minelli’s timeless yet very modern musical AN AMERICAN IN PARIS.  As an audience, our love is here to stay!

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Valerie Milano is the well-connected Senior Editor and TV Critic at, a website that aggregates showbiz news curated for, and written by, insiders of the entertainment industry. (@HwoodTimes @TheHollywood.Times) Milano, whose extraordinary talents for networking in the famously tight-clad enclave of Hollywood have placed her at the center of the industry’s top red carpets and events since 1984, heads daily operations of a uniquely accessible, yet carefully targeted publication. For years, Milano sat on the board as a chief organizer of the Television Critics Association’s press tours, held twice a year in Beverly Hills and Pasadena. She has written for Communications Daily, Discover Hollywood, Hollywood Today, Television International, and Video Age International, and contributed to countless other magazines and digests. Valerie works closely with the Human Rights Campaign as a distinguished Fed Club Council Member. She also works with GLSEN, GLAAD, Outfest, NCLR, LAMBDA Legal, and the Desert Aids Project, in addition to donating both time and finances to high-profile nonprofits. She has been an active member of the Los Angeles Press Club for a couple of years and looks forward to the possibility of contributing to the future success of its endeavors. Milano’s passion for meeting people extends from Los Feliz to her favorite getaway, Palm Springs. There, she is a member of the Palm Springs Museum of Art and a prominent Old Las Palmas-area patron.