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SHADOW

Film Review by Ethlie Ann Vare

Los Angeles, CA (The Hollywood Times) 4/8/19 – At first, you think Shadow is shot in black and white. Then, you realize that the skin-tones are pale pink, the forest is a muted green and the copiously flowing blood is deep red. The film stock is color: the world is black and white. Every stunning period costume, every magnificent set is created in a monochrome wash mimicking classic Chinese ink brush painting. The effect is overwhelmingly beautiful. It’s painful every time you have to look away, and you constantly have to look away because unless you speak Mandarin you have to read the damn dialog.  

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Shadow is the latest offering from acclaimed Chinese director Zhang Yimou. American audiences first encountered Zhang in the late ‘80s and early ‘90s with the award-winning Red Sorghum and Raise the Red Lantern. He came into his own in the early 2000s with the arrival of Chinese wuxia movies: Epic historical films filled with gravity-defying martial arts, beautiful people in melodramatic circumstances, and cast-of-thousands battles. Best known of the genre were Ang Lee’s Crouching Tiger, Hidden Dragon and Zhang’s The House of Flying Daggers. Ang Lee came West and made everything from love stories (Brokeback Mountain) to Marvel comics (The Hulk). Zhang Yimou stayed in China and directed wuxia classics like Hero as well as the spectacular opening ceremony of the 2008 Beijing Olympics. 

Shadow is set during the Battle of the Three Kingdoms, a period of Chinese conflict around the 3rd Century AD. The story may be familiar to Chinese audiences but is as alien to me as if it were set on Pandora — and every bit as visually engaging. We’re in the Kingdom of Pei, ruled by a whimsical young monarch who may be smarter than he appears, and defended by a battle-scarred Commander who may not be who he appears to be at all. This is a story of doubles and doppelgängers — shadows — and everyone has a secret to hide.

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The story unspools slowly and sometimes the dialog is expository and stilted (plus again, you have to read it) and star Deng Chao tends to overplay one of his roles and underplay the other. But, the heartbreakingly gorgeous princess (Xiaotong Guan)! The flowing silken robes! The elaborate armor and headdresses! The hidden passageways and stolen kisses and wire-work fights between a scimitar and a paper umbrella! 

By time we get to full battle scenes in the rain fought with whirling steel blades and bamboo staffs against what look like cliffs made of anthracite, the story has escalated to Hamlet meets Game of Thrones. Bloody betrayals and startling reversals escalate, and the stately opening act leads to a wild and suspenseful ride. 

It’s a peek into a different time, a different place, and a different visual motif where black and white, male and female, wet and dry, king and commoner clash and intermingle like washes of black ink on rice paper. In all, stunning. 

Production companies: Perfect Village Entertainment, LeVision Pictures, Tencent Pictures 

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Cast: Deng Chao, Sun Li, Zheng Kai, Wang Qianyuan, Wang Jingchun, Hu Jun, Guan Xiaotong, Leo Wu

Director: Zhang Yimou

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Screenplay: Li Wei, Zhang Yimou, based on a screenplay by Zhu Sujin

Producers: Ellen Eliasoph, Zhang Zhao, Pang Miwei, Liu Jun, Wang Xiaozhu

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Executive producers: Lian Jie, Zhang Zhao, Edward Cheng 

Director of photography: Zhao Xiaoding

Production designer: Ma Kwong Wing

Costume designer: Chen Minzheng

Action director: Dee Dee

Editor: Zhou Xiaolin

Music: Loudboy

In Mandarin with English subtitles

116 Minutes. Opens in select theaters May 3

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Valerie Milano is the well-connected Senior Editor and Entertainment Critic at TheHollywoodTimes.today, a website that aggregates showbiz news curated for, and written by, insiders of the entertainment industry. (@HwoodTimes @TheHollywood.Times) Milano, whose extraordinary talents for networking in the famously tight-clad enclave of Hollywood have placed her at the center of the industry’s top red carpets and events since 1984, heads daily operations of a uniquely accessible, yet carefully targeted publication. For years, Milano sat on the board and tour coordinator of the Television Critics Association’s press tours. She has written for Communications Daily, Discover Hollywood, Hollywood Today, Television International, and Video Age International, and contributed to countless other magazines and digests. Valerie works closely with the Human Rights Campaign as a distinguished Fed Club Council Member. She also works with GLSEN, GLAAD, Outfest, NCLR, LAMBDA Legal, and DAP Health, in addition to donating both time and finances to high-profile nonprofits. She has been a member of the Los Angeles Press Club for a couple of years and looks forward to the possibility of contributing to the future success of its endeavors. Milano’s passion for meeting people extends from Los Feliz to her favorite getaway, Palm Springs. There, she is a member of the Palm Springs Museum of Art and a prominent Old Las Palmas-area patron.