Home Latest News -TheHollywoodTimes Funny People in Motion

Funny People in Motion

Jerry Seinfeld at Colossol Clusterfest 2017

First (hopefully annual) Clusterfest grand opening in San Francisco

“We’re incredibly excited and proud to be partnering with Comedy Central to launch Colossal Clusterfest in San Francisco, a city with such a deep and vibrant comedy history,” said Jonathan Mayers, co-founder of Superfly. “Comedy has been core to our programming at Bonnaroo and Outside Lands for over a decade and we’re thrilled to be creating an experience that shines the spotlight on comedy while still acknowledging our music festival roots.”

Michael Milano just kickin it with Trevor Moore and Darren Trumeter from Whitest Kids U Know

By: Michael Milano

All Photos By: The Hollywood Times


As the gates were about to open Friday afternoon, the contact buzz was palpable as we waited to finally experience the very first (and hopefully annual), Colossal Clusterfest in downtown San Francisco. Two Civic Center street stages as well as three stages inside of Bill Graham Music Hall made for some tough set time decisions. Presented jointly by Comedy Central and Another Planet Entertainment, Clusterfest not only boasted a lineup of A-list mirth merchants like Jerry Seinfeld, Kevin Hart, Bill Burr, Sarah Silverman, Hannibal Buress;  but also some upper echelon  music acts such as Ice Cube, Chromeo, Vince Staples, Les Claypool and Tegan and Sara. The logistics of such an event are daunting to begin with; however, launching a new fest with no prior template is truly a stress test. A test that the organizers passed with aplomb. The only spec on the scheduling china was a brusquely truncated set by Bill Burrs Saturday night. A happenstance which failed to turn frowns upside down.

Hannibal Burrell

Bumping comedy up to Festival size from the depths of the smelly club circuit is almost an exercise in quantum physics.  In supersizing comedy to the Festival crowd, the organizers pushed some nostalgia buttons with immersive multimedia as soon as we walked in the gate. Classic Comedy television was beamed in, as if from an another dimension (which it was I guess).  Colorful cutouts of life size South Park characters get up in our grill.  Festival staff were as thick as Ubers and ready to help with a group pic or directions. All nice folks who were all  up-beat, friendly and yakky.

Maya Rudolf

Of course there would be a themed food court. What was I thinking?  Comedic cuisine was represented by South Park’s infamous food pop ups, including Casa Bonita, Tweek’s Coffee, and Raisins (a Hooters parody). Just beyond South Park was the Seinfeld area, which included a full-scale replica of Jerry’s apartment, a replication of Tom’s Restaurant stood close to Jerry’s apartment, and right by that there was, of course, a Soup Nazi stand.

Tegan & Sara

One of the hotspots (my personal favorite) was a near perfect recreation of Paddy’s Pub from It’s Always Sunny In Philadelphia. Complete with a gross bathroom (strictly for photo ops of course) and plenty of Irish kitsch. You could stop in there early to watch some Sunny bloopers, grab a Grilled Charlie (they really make it too) or a Milk Steak with Jellybeans. However, what made this spot really special was when acts like Trevor Moore (The Whitest Kids U Know) and Roy Wood Jr. (The Daily Show) would get up on the small stage and do tiny bits of comedy leading into people performing karaoke.

Trevor Moore and Darren Trumeter from Whitest Kids U Know

Festivals always have bumps in the road, Aside from some minor issues regarding miscommunications between the attendees and the organizers regarding reservations and such, the festival was very well managed. Considering the caliber of the acts that were scheduled, everything was pretty much perfectly on time.   I overheard some people carping  about moving everyone out from the ‘Colossal’ stage between every act, but all in all, the staff was all very helpful, and it was quite easy getting around and finding out where everything was simply from the map or by using the mobile app.

I left the festival Sunday night feeling like I had really experienced something…well…different, and in the best of ways.  Festival culture and comedy seem a good pairing.  That really was part of what made the weekend so incredible was the shared experience between performer and audience. In a club a comic is king, in a Festival, the audience is the star really. The scale. Nobody looked like they were punching the clock for a pay packet.  This is their gypsy life on a grand and awesome scale.


In view of its rookie status in the Festival firmament, Clusterfest hit all the right notes and made the Granny Trams run on time. I think we’ll be seeing more Clusterfests in the future. Laughter is a scarce commodity these days.  Supply and demand.

The people of San Francisco, and really the Bay Area in general, are no stranger to massive festivals taking over the town for a weekend. For some, it’s a the festival scene, both free and not, paired with the nightlife is a big reason why the high rent is worth the price of living in the city. And it is no secret that events like these are beneficial  in juicing up the economy of the host city. While San Francisco is home to plenty of incredible festivals, I ultimately would love to see Colossal Clusterfest back next year anywhere… gee is New Orleans in the running for next year’s Clusterfest? You know I’ll be there.


The festival was produced by Superfly and Comedy Central, in partnership with Another Planet Entertainment.

Previous articleTHT Believes Clusterfest is Here to Stay
Next articleThe Clooney Twins Have Come to Town!
Valerie Milano is the well-connected Senior Editor and Entertainment Critic at, a website that aggregates showbiz news curated for, and written by, insiders of the entertainment industry. (@HwoodTimes @TheHollywood.Times) Milano, whose extraordinary talents for networking in the famously tight-clad enclave of Hollywood have placed her at the center of the industry’s top red carpets and events since 1984, heads daily operations of a uniquely accessible, yet carefully targeted publication. For years, Milano sat on the board and tour coordinator of the Television Critics Association’s press tours. She has written for Communications Daily, Discover Hollywood, Hollywood Today, Television International, and Video Age International, and contributed to countless other magazines and digests. Valerie works closely with the Human Rights Campaign as a distinguished Fed Club Council Member. She also works with GLSEN, GLAAD, Outfest, NCLR, LAMBDA Legal, and DAP Health, in addition to donating both time and finances to high-profile nonprofits. She has been a member of the Los Angeles Press Club for a couple of years and looks forward to the possibility of contributing to the future success of its endeavors. Milano’s passion for meeting people extends from Los Feliz to her favorite getaway, Palm Springs. There, she is a member of the Palm Springs Museum of Art and a prominent Old Las Palmas-area patron.